The late-career solo album is a risky move that most people shouldn’t take. As Nils Lofgren and any active member of the Eagles demonstrate, unless you want to end up playing gigs at casinos where half of the audience is receiving Social Security checks, the best time to pack up the amps is after the golden years are over. With Iron Maiden going surprisingly strong 30 years after The Number of the Beast, something led bassist and core member Steve Harris to think he ought try recording music under his name alone. Some might worry any Harris solo effort would be Iron Maiden by Another Name, but wisely Harris distances himself enough from his main project, avoiding merely cashing in on a style he’s already done successfully.
Yet despite distancing himself from Iron Maiden, he doesn’t do much in terms of making this ‘80s-heavy rock from sounding unique in and of itself. Foreigner, .38 Special, and most like-minded radio rock are clear reference points throughout. These genres are ones you’d expect Harris to find comfort in, but one would wish he’d be a little less comfortable and a lot more distinct. British Lion isn’t a bad record by any means; that it manages to dodge most of the pratfalls of solo records is a considerable feat. But without a sound to call its own, it’s a record likely to placate fans of Harris or Iron Maiden, but not do much more.
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article