The late-career solo album is a risky move that most people shouldn’t take. As Nils Lofgren and any active member of the Eagles demonstrate, unless you want to end up playing gigs at casinos where half of the audience is receiving Social Security checks, the best time to pack up the amps is after the golden years are over. With Iron Maiden going surprisingly strong 30 years after The Number of the Beast, something led bassist and core member Steve Harris to think he ought try recording music under his name alone. Some might worry any Harris solo effort would be Iron Maiden by Another Name, but wisely Harris distances himself enough from his main project, avoiding merely cashing in on a style he’s already done successfully.
Yet despite distancing himself from Iron Maiden, he doesn’t do much in terms of making this ‘80s-heavy rock from sounding unique in and of itself. Foreigner, .38 Special, and most like-minded radio rock are clear reference points throughout. These genres are ones you’d expect Harris to find comfort in, but one would wish he’d be a little less comfortable and a lot more distinct. British Lion isn’t a bad record by any means; that it manages to dodge most of the pratfalls of solo records is a considerable feat. But without a sound to call its own, it’s a record likely to placate fans of Harris or Iron Maiden, but not do much more.
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.
// Notes from the Road
"Saul Williams played a free, powerful Summerstage show ahead of his appearance at Afropunk this weekend.READ the article