Stomping set of roadhouse blues
Bex Marshall kicks out some raunchy, sashaying, gospel-inflected, guitar-goddess-driven, rocking blues on her latest full-length, House of Mercy. This is a terrific album from start to finish, full of unexpected moments, ranging from the gospel-rock styling of the title track to the stomping closer, “Guilty”. Marshall isn’t a belter, but her voice is able to curdle and moan expressively, and her fingerpicking and string-bending are impressive. Slow tunes? Got ‘em (“Rattlesnake”, “Barry’s Song”). Uptempo booty shakers? Got those too (“Love”, “Bourbon Street”). An array of instruments flesh out the basic guitar-drums-bass sound, with everything from harmonica on “Bite Me” to dobro and mandolin on the title track to banjo on the excellent chug-a-lug of “Tough Times”. This is boogie-woogie roadhouse stomp at its best, elevated by precise musicianship, gutsy vocals and Marshall’s relentless unwillingness to do the same thing over and over. Give a listen and put yourself at her mercy. You’ll be glad you did.
- Multiple songs Artist website
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article