The Brooklyn band Guards plays an eclectic form of pop-rock with bits and pieces tossed in from all over the map—big anthemic choruses on “Ready to Go” and “Not Supposed To”, pounding dance-pop drums on “Nightmare”, breathy vocals mixed down into the murk, even some nifty guitar work from time to time. When it all comes together, as on “Heard the News” and the high-energy “I Know It’s You”, Guards manages to tap into something fun and even, occasionally, powerful. “Your Man” is another strong track that benefits from a moody rhythm and harmony vocals. Too often, though, the band just sounds like washed-out pop, with melodies that don’t really stick and not enough rawk to have much edge. “Not Supposed To” is as substantial as cotton candy, while the unpleasant “Giving Out” sounds like it’s aspiring to Britney Spears-esque dance pop vacuousness, and succeeding. Singer Richie Follin does have a good voice on such anthems as “Nightmare”, but there are more compelling options out there.
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// Sound Affects
"History repeats the old conceits, the glib replies, the same defeats. Keep your finger on important issues, and keep listening to the 275th most acclaimed album of all time. A 1982 masterpiece is this week's Counterbalance.READ the article