Just the notion that one of the richest people in the world is releasing a major-label debut doesn’t lend itself to unbiased criticism. In fact, I wanted to hate Everywhere at Once before even listening to it, just because of the money thing. I mean, what does a guy with the resources that Paul Allen has need with a major label? After a few deep breaths, and a good listen to the album, I had to ask myself two questions:
1. Does the material, performance, and production stand on its own?
2. Is the finished product worthy of major-label attention?
The answer to both are a resounding yes, thanks to the assistance from a bevy of rock’s ambassadors, and one hell of a production team in Doyle Bramhall II and Justin Stanley. This is a quality release of blues-rock that’s enjoyable from start to finish, and the songwriting from Allen and his collaborators are paired well with their guest performers. “Healing Hands”, “Pictures of a Dream”, “Divine”, and “Straw Into Gold” are just some of the highlights. The album as a whole is just a big, wonderful surprise. Start to finish.
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// Sound Affects
"History repeats the old conceits, the glib replies, the same defeats. Keep your finger on important issues, and keep listening to the 275th most acclaimed album of all time. A 1982 masterpiece is this week's Counterbalance.READ the article