Crunching blues-metal from Arkansas hits the sweet spot
The Dogs Have Barked, the Birds Have Flown
US: 28 May 2013
UK: 27 May 2013
What a great record this is. Not precisely heavy metal, but more of a heavy blues/hard rock hybrid, Little Rock’s Iron Tongue are an outfit that hearken back to the days when loud guitar bands weren’t afraid of soulful vocals—and they have the chops to pull them off. Maybe the closest analogy I can think of nowadays is Graveyard, whose own Hisingen Blues was a standout album of 2011. Iron Tongue’s latest, The Dogs Have Barked, the Birds Have Flown, is a little rougher around the edges than that, but it’s still a damn fine record, with plenty of swampy, brooding guitars, from-the-gut vocals and slogging mid-tempo rhythms.
Album opener “Ever After” sets the listener up nicely, utilizing all the aforementioned elements to create a dense sonic stew before moving to the slightly more stomping “Witchery” and the positively lively “Said N Done”. Occasional female vocals and shimmering keyboards crop up now and then to keep the mix from getting stale, but this is primarily a fuzzhead’s dream: layers of bluesy, sinewy guitars piled on more sinewy guitars, full-throated anthemic vocals and an overwhelming sense of fighting against the encroaching doom. Rock and roll redemption, indeed. Party on, Garth. Party the fuck on.
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times. Thanks everyone.