Bruce Gilbert and BAW

Diluvial

by John Garratt

8 January 2014

 
cover art

Bruce Gilbert and BAW

Diluvial

(Touch)
US: 3 Sep 2013
UK: 2 Sep 2013

Diluvial might be Bruce Gilbert’s most ambitious work since leaving Wire. Recorded in conjunction with BAW (Beaconsfield ArtWorks, London), this is an album that easily dwarfs Gilbert’s last two releases. It’s expansive in pretty much every sense of the word. It’s lengthy—of the seven tracks, the shortest one is over eight minutes in length. It finds Gilbert playing with his usual stash of clicks and buzzes. But then “The Expanse” manipulates the sound of a water droplet far beyond anything most of us would recognize. On “Dry Land”, the sound of a storm is so powerful it could spill over into another one of your senses (something tells me that land didn’t stay too dry that day). Once in a while, a little bit of “music” will creep into the mix as it does on “Creatures of Sea and Air” and the closer “Rest/Reflection”. Tones enter, shimmer, and provide moral support for the uninitiated.

But like 2009’s Oblivio Agitatum, Diluvial hits full impact through your headphones. The tracks blend into one another, so just make sure you have a 74-minute block of free time in your future. Then let the thing flood over you.

Diluvial

Rating:

//comments
//Mixed media
//Blogs

Blood and Thunder: We All Wanna Touch a Rainbow

// Sound Affects

"Once upon a time, Ronnie James Dio rounded up a bevy of heavy metal legends to record a charity single. Yet no amount of superstar power could stop the song from falling by the wayside.

READ the article