They haven’t totally lost their 1950’s pop-rock gleam, but on Small Sound — an EP between 2012’s critically renowned Young & Old and their anticipated spring full-length — Tennis bulks up their sound, adding muscular riffs to a few of the grittier cuts (“Mean Streets”, “Cured of Youth”) and some seriously polished hooks to a pair of wildly catchy ones (“Dimming Light, “100 Lovers”). Aliana Moore’s voice shines: there’s sweetness, toughness, spite. Slightly more crafted, with less of the lo-fi dreaminess than the previous two records, Small Sound’s has bite: sometimes it drops into bigger choruses, at others it breaks into a wave distorted fuzz. It’s less formulaic and more freewheeling, seemingly feeding less off their influences while finding more of themselves.
""If Drivin' N' Cryin' sounded as good in the '80s as we do now, we could have been as big as Cinderella." -- Kevn KinneyREAD the article