More than anything, Hunger, the latest slab of acid-fried rock from Dan Melchior und Das Menace, is a messy, lo-fi romp through the dirtier corners of retro-minded indie rock, heavy on the eccentricities. Melchior’s approach to fidelity (or lack thereof) has Hunger coming across as something he and his mates came up with during a particularly interesting night of drinking and imbibing other elicit substances rather than a well-thought-out project. It’s clearly designed to be part of the overall aesthetic, but it can be a bit jarring at times when tracks move from reasonably well-produced to in-the-red, blown-out messes.
The moments when fidelity does return (“Birdz”, “Parakeet”, the title track) prove to be some of the more compelling, with Melchior clearly putting a bit more thought into these particular tracks. “Birdz” is perhaps the best example of those afforded additional care and attention (hell, there’s even a clarinet solo) and comes off sounding like a cross between Wreckless Eric and Ween circa The Mollusk.
Even for those used to more than a bit of grit in their garage rock might find portions of Hunger a little hard to swallow. Those that are palatable, however, prove Melchior to be a rightful heir to the crown of British eccentrics operating at the musical fringes and helps establish Hunger as an enjoyably strange listen.
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article