Call for Essays About Any Aspect of Popular Culture, Present or Past

Music
cover art

Sassparilla

Pasajero / Hullabaloo

(Fluff and Gravy / Burnside; US: 17 Jun 2014; UK: 21 Jul 2014)

The Double Album

Portland, Oregon’s Sassparilla has done something very rare in indie circles that’s worth talking about: deliver a double album. Now, most, if not all, doubles carries with them some flotsam and jetsam—whether it’s The White Album, Zen Arcade or Something/Anything?—and in that respect, Pasajero / Hullabaloo is no different, though there’s a rather high signal-to-noise ratio. But this is no Use Your Illusion. Rather, each disc has a distinct personality to it. Pasajero is a little jazzy and a little rocky, while Hullabaloo is more intimate and blues/country based. While Pasajero is good, and Hullabaloo is great, there’s certainly stuff worth digging into across the 19 tracks of this outing. Quite a bit of good stuff, actually. And there’s an overarching theme of religion that permeates this set: “Who built the ark?” goes a line on the first disc’s “What the Devil Don’t Know”, and I’d be damned if I didn’t hear a response to that sentiment later on the second disc. The devil also makes an appearance in three song titles and is mentioned during the chorus to “Peaches”.


Pasajero boasts some songs that feel as though they were pulled from the Tom Waits songbook, such as opener “Overture” and “What the Devil Don’t Know”, and as far as homage goes, they’re outstanding. “Cool Thing” is a lazy, lilting number that has a hummable melody. Hullabaloo, on the other hand, opens strong with the Robert Johnson-esque “Through the Fence”. “The Hoot Song”, which closes this set, features adorable backing from the twin brothers that are the offspring of songwriter and frontman Kevin Blackwell, and the children even contributed to the development of the tune. In between, there’s a real bluesy swagger to the disc. Overall, Pasajero / Hullabaloo is more than an hour’s worth of some outstanding tunes, and, as far as double albums go, were this not released on a fairly new and small independent label, it would join the greats mentioned in the first paragraph. This is a double album par excellence, and confirms that Sassparilla is a band of real mastery of multiple genres.

Rating:

Zachary Houle is a writer living in Ottawa, Ontario, Canada. He has been a Pushcart Prize nominee for his short fiction, and the recipient of a writing arts grant from the City of Ottawa. He has had journalism published in SPIN magazine, The National Post (Canada), Canadian Business, and more. He also reviews books for bookwookie.ca.


Media
 
Related Articles
By PopMatters Staff
2 Jun 2014
Portland's Sassparilla is a soulful, rocking Americana outfit that takes the place of Band of Heathens in the musical landscape, while the latter has gone off in the singer-songwriter direction.
Comments
Now on PopMatters
PM Picks
Announcements

© 1999-2014 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.