It is honestly something of a relief to hear this debut EP by the precociously talented 21 year-old singer/songwriter/producer/multi-instrumentalist (she even designed her own album art) who goes under the alluringly identity-shrouding name of Lights. As the pop mainstream becomes increasingly fragmented along glibly arbitrary genre lines, to the point that “pop” currently exists as little more than a stylistic seasoning for unholy marketing hybrids (punk-pop, country-pop, teen-pop, etc), Lights remains a true believer in pop music of the most achingly, guilelessly, shamelessly melodic variety. Loaded with super-sized chorus hooks, shimmering synth whirls, propulsive drum loops, charmingly awkward diary-entry-style lyrics (“Seems somebody put out the moon / Now the road is a minefield / I can’t follow the way she moves / I can’t see past the shadows” is the kind of adolescent poetry that can only sound utterly blissful in this context) and delivered in a breathy, girlish vocal style pitched somewhere between Kylie Minogue and Susanna Hoffs, Lights infuses her music with both an unerring ear for tunefulness and a defiant conviction in her material that is genuinely refreshing.
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article