Swedish pianist Bobo Stenson rarely puts a finger wrong, and his ability to draw a Nordic hush from the unlikliest of material often has critics eating out of his right hand. Here his new-look live trio—with longtime bassist Anders Jormin and feted drummer Jon Fält—make their endlessly engrossing studio debut, titling their efforts, rather misleadingly perhaps, in Spanish. Though the album opens with a piece from Cuban Nueva Trova veteran, Silvio Rodriguez, and paces Astor Piazolla’s “Chiquilin de Bachin” midway through, both covers are couched in the kind of precipitative, note-perfect sobriety Stenson has made his own, and in which he loses himself throughout, not least on two readings of Peter Eben’s “Song of Ruth”. It’s through a mesmeric arrangement of an old Don Cherry number, though, that Stenson, Fält and Jormin really lock in to the clarity their music so often seems to be driving at; an incantatory vision of African-rooted repitition and Northern disconsolation, Don’s Corapiece is the sound of Stenson in bittersweet limbo.
"Marina's star shines bright and her iridescent pop shines brighter. Froot is her most solid album yet. Her tour continues into the new year throughout Europe.READ the article