Liverpudlian Max Morgan has a rather light, airy voice on the opening number “Loneliest Man in the World”, a rather strong but unadventurous pop tune in the vein of the Fray with a pinch of Snow Patrol on top. However, what makes it stand out is the melody, something that seems to shine and stick a la Crowded House. This definitely applies when “Secret” comes along during the latter half. And while some of these tunes have had prime television airings (Grey’s Anatomy), Morgan creates a rather cohesive, above average affair on the backs of sweet pop tunes like “Sold Out to the Scene”, which recalls the Calling and a rather rowdier Jonas Brothers (in this case, the latter being a good thing). However, the standard ballads “Wait for Me” and “Trouble” are something you really don’t need to wait for, as it’s all be done here before. Fortunately, the Oasis-like “Feel (Whoever You Are)” and the up-tempo, edgy, Pete Yorn-ish “Suffer” suffer from nothing but great hooks and great pipes from Morgan. Perhaps the real surprise or dark horse of the 11 tracks is the McCartney-ish piano nugget “Nobody’s Coming to My Rescue” which is a gentle, pensive and pretty effort.
// Notes from the Road
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