The third album from Denmark’s Jon “Pixel” Egeskov is a rare ambient concept road-trip album. All of the tracks are named after coordinates findable through Google Maps (track one is the Cape Canaveral NASA base in Florida). Of course, I generally like louder music with a progressive beat for my travels, while the sound of The Drive is often something like a heartbeat laid over the warble of old ceiling fans and amplifier hum. If I ever did pull this out on a road-trip, the majority of the car would likely fall asleep, so it is kind of dangerous in that respect.
Outside of the concept, it is a well-constructed chill album. A constant amplifier hum acts as a drone through which intensely stretched out string instruments bubble forth. Each track is given its sense of momentum by faint, lethargic bass and static pops rearranged into percussion. I certainly sets a mood, yet every time I listen to it, I can’t help but wish I was listening to Pole’s first three EPs instead.
- Multiple songs MySpace
We all know how critical it is to keep independent voices alive and strong online. Please consider a donation to support our work as an independent publisher devoted to the arts and humanities. Your donation will help PopMatters stay viable through these changing and challenging times where advertising no longer covers our costs. We need your help to keep PopMatters publishing. Thank you.
// Sound Affects
"Natalie Hemby's Puxico is a standout debut from a songwriter who has been behind the scenes for over a decade.READ the article