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Big Business

Here Come the Waterworks

(Hydra Head; US: 6 Mar 2007; UK: 12 Mar 2007)

Best known these days as the two young musicians who injected new life into the Melvins (check out 2006’s A Senile Animal for the electrifying results), the duo of bassist Jared Warren and drummer Coady Willis have been plying their trade as Big Business for several years now, attracting attention for their undeniably Melvins-esque blend of sludge metal and Lightning Bolt-inspired minimalist noise rock. But not only are the songs on Here Come the Waterworks massively heavy, dominated by Warren’s versatile basslines and Willis’s psychotic drum fills, but this stuff is shockingly catchy, from the inexplicable rave-up “Hands Up”, to the sinister vocal melodies of “Shields”, to the astounding primal prog rock of “Another Fourth of July…Ruined”. If that’s not enough, “Start Your Digging” swings like Type O Negative, while “I’ll Give You Something to Cry About” comes close to the monstrous epic stylings of Mastodon. More accessible than Lightning Bolt, and powerful enough to blow the hipster moustache of Jesse Keeler’s mug, this album is a creative breakthrough for the band, in addition to further proof that these dudes are the best thing to happen to the Melvins in years.

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Adrien Begrand has been writing for PopMatters since 2002, and has been writing his monthly metal column Blood & Thunder since 2005. His writing has also appeared in Metal Edge, Sick Sounds, Metallian, graphic novelist Joel Orff's Strum and Drang: Great Moments in Rock 'n' Roll, Knoxville Voice, The Kerouac Quarterly, JackMagazine.com, StylusMagazine.com, and StaticMultimedia.com. A contributing writer for Decibel, Terrorizer, and Dominion magazines and senior writer for Hellbound, he resides, blogs, and does the Twitter thing in Saskatoon, Saskatchewan, Canada.


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