Chris Stills

When the Pain Dies Down: Live in Paris

by Dan Raper

7 September 2006

 

Oh, for some MOR singer-songwriter fare. Drained of the stadium-ready soar of a Coldplay or a Keane, Chris Stills’s warbling is so inoffensive you can hardly tell it’s alive. This live disc is no great discredit to the performer’s talent –- his voice sounds, mostly, smooth as on the studio recordings; but the songs fail to excite, a strange alternation between easy listening with faintly Paul Simon harmonies (as on “Landslide”), and faux-chansons, Stills’s nasal French accent grating (“Demon”). “Story of a Dying Man” is characteristic: the melody’s not quite soaring enough to completely take hold, and the conceit a shallow exposition of love. But it only really gets laughable on the last song, “Fanny”, the only studio recording on the disc: it’s “The Weight” by the Band, lyrics in French. He’s become the nightmare of your favourite singer-songwriter, what you always half-feared he’d degenerate into—no longer any insight, only sentimentality.

When the Pain Dies Down: Live in Paris

Rating:


//comments
//Mixed media
//Blogs

Tibet House's 30th Anniversary Benefit Concert Celebrated Philip Glass' 80th

// Notes from the Road

"Philip Glass, the artistic director of the Tibet House benefits, celebrated his 80th birthday at this year's annual benefit with performances from Patti Smith, Iggy Pop, Brittany Howard, Sufjan Stevens and more.

READ the article