Damero

Happy in Grey

by Michael Keefe

9 April 2007

 

Moody Berlin electronic pop composer and singer Damero’s debut, on Bpitch, could just have easily found a home on Morr Music, another German label dealing in downcast, synth-infused song-crafting. Although I’m hesitant to resort to this line of convenience, calling Damero “the female Styrofoam” perfectly corrals her style, down to the flat emotions of her nonetheless tuneful vocals and the pale sunlight that filters through her otherwise gloomy glitch-pop compositions. And, like Styrofoam’s albums, Happy in Grey is easy enough to enjoy on a cloudy day, but difficult to love. The title of the opening cut, “Mope”, encapsulates the feeling of the ten tracks that follow: all are Eeyore-like in their even level of glumness. That there’s no joy on the album is fine, but a little angst or even some whining would have given it some tension, some edge. As it is, Happy in Grey is a fine little album for soundtracking your mildly bummed-out day.

Happy in Grey

Rating:

 

We all know how critical it is to keep independent voices alive and strong on the Internet. Your donation will help PopMatters stay viable through these changing and challenging times.

//comments
//Mixed media
//Blogs

Counterbalance: Elvis Costello's 'Imperial Bedroom'

// Sound Affects

"History repeats the old conceits, the glib replies, the same defeats. Keep your finger on important issues, and keep listening to the 275th most acclaimed album of all time. A 1982 masterpiece is this week's Counterbalance.

READ the article