Edgar Allen Floe

Floe Almighty

by Steven J. Horowitz

28 September 2006

 

Edgar Allen Floe has most of the elements to “make it” in the rap game: a slightly inflated ego, credible beatsmiths like 9th Wonder and Khrysis tossing him loops, and a knack for wordplay blended with a personable character. But in order to climb the lofty ranks of the hip-hop world, Floe still has some kinks to work out, as his mixtape release Floe Almighty simply offers a peek into all things Floe. Over the course of the album, which clocks in at just shy of 40 minutes, Floe rides the syrup-glazed backdrops with ease, connecting the tracks with a breezy soul thread. Unfortunately, Floe seems to be holding back, as his lyrical content is based on the safety net of pimping his status as an up-and-comer on almost all of the record’s tracks. On “Floe Free Style”, produced under his beatmaking alias Slicemysta, Floe raps over a crumpled jazz riff with the lines “My man Otis compares me to the Game / And I started to wonder / OK, I am a newcomer / I got legends cosigning me / And I got backstabbers out there denyin’ me.” Despite his limited content, Floe creates carefree hip-hop and delivers in variant ways, like on the rapid-fire “Hostility” and the previously released “The Torch”, managing to keep his music lively and palpable throughout. But while there is surely more to Floe than creamy beats and wordplay, a fuller release can only reveal if Floe can match his boasts as part of the next hip-hop generation.

Floe Almighty

Rating:

//comments
//Mixed media
//Blogs

The Last Gunfighter: Songwriter Guy Clark Passes Away at 74

// Sound Affects

"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.

READ the article