Is there anything better than idiotic band names? I think not. And Jesus H Christ And The Four Hornsmen of the Apocalypse may take some top honors. JHC&TFHotA are an odd blend of Sixpence None the Richer, Arcade Fire, and New Pornographers if they were all fronted by Amy Sedaris. “Connecticut’s for Fucking” is a hard-the-soft-then-hard power pop tune that talks about the Nutmeg State with sweet, sugary harmonies in the chorus as she simulates what Robin Williams once described as “the bone dance”. “Happy Me” is a somewhat tamer pop tune with Risa Mickenburg on reedy lead vocals, and Mickenburg nails the conversational and brassy rocker “Obviously” with a Lou Reed-like charm. A lot of the songs would be great on Desperate Housewives, particularly the opportunistic and cheery “Do Me”. The album is generally infectious, even if the content is, well, dumb and ditzy at times. The summer-sounding pop of “Vicki Is a Pro” is great, resembling a cross between the Cars and the Go-Gos. Ditto for the fabulous “It’s OK in the USA”. “Vampire Girls” name-drops Syd Barrett, Tiny Tim, Malcolm X, and others while the punk riffs blend with horns. Another highlight is the rather mainstream bubblegum pop of “Ellen’s Bi Coastal”. “Steve Baylor” has to be one of the oddest, Zappa-like tracks of the year, and “Nipples” is a modern day hit the Turtles failed to get around to.
// Sound Affects
"More sock-hop than hip-hop, soulster Timothy Bloom does a stunning '50s revamp on contemporary R&B.READ the article