by Alan Ranta

6 March 2008


The debut record from Tel Aviv’s Ophir “Kutiman” Kutiel is the late ‘70s funk album nirvana crate-diggers spend their lives searching for. Unfortunately for them, it wasn’t recorded, mixed, and released until 2007. More shocking, Ophir himself hadn’t even heard of Fela Kuti and James Brown till about five years previous, when a DJ pal finally introduced him to his destiny via a small stash of classic vinyl. Gawd damn, if he isn’t making up for lost time.

With this proudly self-titled effort, Kutiman distils the finest freak afrobeat, psychedelic soul, and West African riddim with Patrick Cowley “Sea Hunt” disco synths into a full-length rubber chicken three shades funkier than the Quantic Soul Orchestra’s Tropidelico. What’s amazing is—with a little help from his friends here and there—the whole thing is just Kutiel jamming with himself on a PC. It’s unbelievable how authentic and fresh it is at face value, let alone the work of a multi-instrumentalist basement producer in the Holy Land, where the entire scene for this vein of music can fit in Ophir’s bedroom. Jazzanova, Gilles Peterson, and Diplo have already caught the Kutiman fever, and it’s only going to keep spreading. Keep on truckin’, soul brother.

cover art



(Melting Pot Music)
US: 19 Feb 2008
UK: 26 Oct 2007



Topics: kutiman

//Mixed media

Marina and the Diamonds Wrap Up U.S. Tour at Terminal 5 (Photos)

// Notes from the Road

"Marina's star shines bright and her iridescent pop shines brighter. Froot is her most solid album yet. Her tour continues into the new year throughout Europe.

READ the article