“Side project” isn’t an accurate name for a band whose members already play in six other bands (of which We Versus the Shark and Cinemechanica are arguably the most well-known). Pegasuses-XL seems more like a repository for whatever ideas its four members couldn’t integrate into their other bands. Their debut album, The Antiphon, is an intriguing mess that strongly recalls long-gone experimental hip-hoppers cLOUDDEAD. Its best songs share that group’s fondness for nubbly keyboards and logorrheic, adenoidal rapping. Pegasuses-XL are still math-rockers at heart, though, so their songs make much more use of live guitars and drums. Unfortunately, The Antiphon is poorly sequenced and often hook-less. The album begins and ends with its worst songs, and when a lone female voice appears to sing the chorus of tenth track “The Big Haunt”, it becomes a lucid respite from the nine unintelligible tracks that preceded it.
""If Drivin' N' Cryin' sounded as good in the '80s as we do now, we could have been as big as Cinderella." -- Kevn KinneyREAD the article