Pia Fraus

After Summer

by D.M. Edwards

24 June 2008

 

This time around Pia Fraus move closer to the Stereolab end of their influences. But the shift away from other end (the love children of Astrud Gilberto and My Bloody Valentine) is only incremental. Their songs are hazy swathes of fuzzy melancholy wherein impressions can arise from the sound of words as much as from their actual meaning. Norman Blake steps in as producer but Pia Fraus’s blurry blueprint is unmistakably gorgeous. Hypnotism looms at the intersection of melody and (the merest hint of) distortion.

Some songs on After Summer such as “Doctor Optimism” and “Yenissy” might well become as beloved as forerunners like “400 & 57” and “Right Hand Traffic” from the band’s benchmark recording In Solarium. Obviously, though, there’s no chance of them matching their previous best song title “The End of Time and Space as We Used to Know It Is After You Have Finished Your Tea: Approximately 5:07 p.m.” Anyone know the Estonian word for “shoe”?

cover art

Pia Fraus

After Summer

(Clairecords)
US: 13 May 2008
UK: Available as import
Japan release date: 7 May 2008

After Summer

Rating:

Topics: pia fraus
 

We all know how critical it is to keep independent voices alive and strong online. Please consider a donation to support our work as an independent publisher devoted to the arts and humanities. Your donation will help PopMatters stay viable through these changing and challenging times where advertising no longer covers our costs. We need your help to keep PopMatters publishing. Thank you.

 


//comments
//Mixed media
//Blogs

20 Questions: Nashville Singer-Songwriter Natalie Hemby

// Sound Affects

"Natalie Hemby's Puxico is a standout debut from a songwriter who has been behind the scenes for over a decade.

READ the article