Piebald plays a jocular brand of power-pop full of faux-rock riffs and adorable lyrics. The band exploded onto the emo-punk scene in 1999 with their memorably-titled album If It Weren’t For Venetian Blinds It Would Be Curtain for Us All. The leader of this emo-geek outfit is Travis Shettel, a shaggy-haired dude with black-rimmed spectacles. Shettel sings in a whiny, nasal twine and exudes a bevy of ironic phrases. (He has a knack for juxtaposing clichés such as: “Life is a bitch, and life is a beach”.) The band continues their adolescent antics with their new effort, Accidental Gentleman, a raucous and fun album; with its share of catchy, jubilant hooks. Unfailingly, the group delivers their eccentric emo schlock; and ultimately the album is bit of a let down. Instead of progressing, Piebald seems to be churning out the same standard emo-punk they exhibited ten years ago. Shettel’s songwriting prowess has not improved much since the days of Venetian Blinds. His infectious riffs inevitably regress into a bland repetitious verse or an awkwardly placed bridge. After a decade of playing music, the band simply has not established itself as anything beyond a novelty emo act.
- "Oh, the Congestion" Streaming
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article