Rebecca Hart

Crash & Strum

by Jason MacNeil

8 September 2006

 

Not exactly the coffeehouse folk of some female singer-songwriters, Rebecca Hart has some funky styles to showcase on the opening “The Vibe”, which brings to mind a cross between Michelle Shocked and Tracy Chapman. It’s a rootsy pop feel that is quite decent, but some songs are too formulaic or blah, especially the lighter, mid-tempo adult contemporary ditty “Dawn”. What is promising, though, is the slower, somewhat soulful “Planets” that opens with talking about cars being named after planets. Hart likes her folksy moody pop, particularly on the sparse, murky title track, which evolves into a big, rousing, Etheridge-lite rocker. And it’s this little kickstart that makes the ensuing “Wishing Hour” gel much quicker. The sleeper pick has to be the mellow “Last Dance”, which sounds like a cross between Jewel and k.d. lang. Another little nugget is the soft and dub-flavored “Out of Me” that brings to mind Natalie Merchant. The record ends with another uplifting pop rock number entitled “Big Fire” that has a lot of fire in its belly.

Crash & Strum

Rating:

 

We all know how critical it is to keep independent voices alive and strong on the Internet. Your donation will help PopMatters stay viable through these changing and challenging times.

//comments
//Mixed media
//Blogs

Counterbalance: Elvis Costello's 'Imperial Bedroom'

// Sound Affects

"History repeats the old conceits, the glib replies, the same defeats. Keep your finger on important issues, and keep listening to the 275th most acclaimed album of all time. A 1982 masterpiece is this week's Counterbalance.

READ the article