Violence Is Golden

by Jason MacNeil

29 November 2006


Oh boy, here come Scanners, a band that delivers “Joy” with a reckless abandon, albeit in a very tight, polished pop rock format. It’s just dark enough to make the lead singer Sarah Daly sound like a cross between Miss P.J. Harvey and Miss Chrissy Hynde on the extremely ear pleasing and almost head-turning opener. And never does Scanners let up on being relentless, as if each note of “Lowlife” has the band’s future in the balance. It’s quite refreshing and breaks out beautifully as Daly adds some violin to the proceedings. Each number takes on a life of its own, but still hits all the criteria for a great song—great hook, great melody, and great delivery, as is the case with the crunchier “In My Dreams”. And in much the same way that Led Zeppelin’s IV slows down with “The Battle of Evermore”, this record slows down with the guitar buzz of “Changing Times”, which bubbles under the surface. Things also slow down later on during the tender, dreamy pop of “Look What You Started”, which is the best song the Pretenders never recorded. But after that downtime, things are so effin’ fantastic with the delectable “Bombs” and the rowdy, seedy punk oozing out of “Air 164” that you are left with an orgasmic expression on your face. The same can be exclaimed for “Raw”, which is, well, raw, god damn it.

Violence Is Golden



We all know how critical it is to keep independent voices alive and strong online. Please consider a donation to support our work as an independent publisher devoted to the arts and humanities. Your donation will help PopMatters stay viable through these changing and challenging times where advertising no longer covers our costs. We need your help to keep PopMatters publishing. Thank you.


//Mixed media

20 Questions: Nashville Singer-Songwriter Natalie Hemby

// Sound Affects

"Natalie Hemby's Puxico is a standout debut from a songwriter who has been behind the scenes for over a decade.

READ the article