Shortstack gives you the impression that they’re deep in Appalachian or Americana territory, but the leadoff song “Wiseblood” brings to mind a swinging kind of rockabilly number. “Riverbend” again has more of an up-tempo slant to it, as Adrian Carroll does his best vocally to mix blues with alt.country. Fans of the Stray Cats or Mike Ness’s solo work would find comfort in the slow but steady Sun Records-era “Wreckin’ Ball” bouncing down the road. The first real highlight is the rowdier, edgier “Good Intentions”, which sounds like a roadhouse version of Canadian band Elliott Brood. It’s one that’s bound to get your knees knocking at some point. Just as strong, though, is the ensuing “Two White Horses” which packs a lot of wallop and bite. Too often, however, the songs tend to go down the same road with average results, as is the case with the run-of-the-mill “Red Eyes” and the tame, routine instrumental “G.B.D.”
We all know how critical it is to keep independent voices alive and strong online. Please consider a donation to support our work as an independent publisher devoted to the arts and humanities. Your donation will help PopMatters stay viable through these changing and challenging times where advertising no longer covers our costs. We need your help to keep PopMatters publishing. Thank you.
// Sound Affects
"Natalie Hemby's Puxico is a standout debut from a songwriter who has been behind the scenes for over a decade.READ the article