This duo comes from the same area as Sarah Guthrie and Johnny Irion in terms of sound, particularly on the alt.country gem of a title track. The harmonies are sweet and the chorus sweeter, resulting in a strong opening. Meanwhile, Smith softens the album up slightly with the pop, adult-tinged “Culebra”, which sounds like an Americanized Beautiful South. But things get off on the wrong track with the roots-meets-psychedelica “Absolutely Free” that might be a Sheryl Crow b-side at best. Fortunately, they redeem themselves with the pretty, tender and thoughtful “What No Angel Knows” and the equally inviting, slow-dance feel fuelling the haunting “The Lonely Sea”. Fans of Blue Rodeo or the Jayhawks would seek comfort in the chugging “#7”, “Ed’s Tower To The Top”, and the warm “I Don’t Like to Be Alone”, which sounds like an early Everly Brothers cover.
"Marina's star shines bright and her iridescent pop shines brighter. Froot is her most solid album yet. Her tour continues into the new year throughout Europe.READ the article