In just 15 minutes and over seven short compositions, Japanese avant-garde experimentalist Tetuzi Akiyama will either convince you he’s some sort of prophetic genius, or have you wondering who decides gives this guy money to make records. Though his music’s in no way accessible, he doesn’t deserve the latter dismissal. Akiyama’s even more skeletal than other improvisational groups like Maher Shalal Hash Baz, to the extent that more than a few of these tracks sound like sketches. At the same time that you wish for the ideas to be ordered and presented properly, you understand this music’s not interested in neat ends – its soul lies in the messy disintegration, the harsh juxtaposition of clashing, atonal guitar and vocal lines, and the purposefully lisped words. Don’t expect to find any easy meaning there, either. A sample: “Something from this moment call him bedside, vision including / The others suddenly appeared discovered, inside bleeding”. The best material comes at EP’s end – “Something From This Moment” is the closest to an actual song, its phrasing uncovers a brittle beauty through atonal guitar and mismatched vocals. The closing track, “It Shall Not Be Your Tremble”, is more fully realized, and the effort pays off: adding maracas and harmonica to the de-tuned guitar, you glimpse something of the noble intent behind this weird, loose music.
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article