On their second full-length, the Citizens have gotten better, but, in some ways, less interesting. They’re more polished and more consistent songwriters, but the group’s performances lack a certain weirdness. Not that there isn’t plenty here, with the Citizens fully expressing their theatrical side. The difference now is that the group knows how to do odd; they’ve learned to do their own makeup and be their own barkers, even announcing “The circus is coming to town / It’s going to be a freak show” instead of just being a circus. Part of the fun of this type of music is the risk, but the Citizens have grown too tight to be on the edge. They shouldn’t trade in their skill in an effort to recapture amateurism, but they would benefit from sounding more endangered. Now they’ve proven they can write and perform strong songs, but they need to let themselves turn a little out of control. By their third album, they should just be hitting their strange stride.
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.
// Notes from the Road
"Saul Williams played a free, powerful Summerstage show ahead of his appearance at Afropunk this weekend.READ the article