Stay with me here, please. In 1968, Chuck Mangione and Roger Karshner are in Cleveland. There they decide to give “musical interpretations” to the paintings of famous painter Paul Klee. Released on the first time on CD, this is one of those oddity albums that are very interesting to say the least. Reeking of a trippy, psychedelic feel that brings to mind Hair and a cross between the Polyphonic Spree and The Mamas and The Papas, “Barbaric, Classical, Solemn” is an odd but inviting tune. Meanwhile, the haunting “Diana in the Autumn Wind” has a haunting texture to it. Things get quite “out there” with “Boys with Toys” that could have fallen out of Syd Barrett’s back pocket. The idea of creating music from art isn’t new, but it’s often a hit and miss, the latter exemplified by “Self Portrait” and the hokey “Fear of Becoming Double”. The album has some redeeming moments with “A Child’s Game” that is terrible sweet and the quasi-rap of “Fear Behind the Curtain”. Three versions of “Long Hair Soulful” place the already spacey album much further out there.
We all know how critical it is to keep independent voices alive and strong online. Please consider a donation to support our work as an independent publisher devoted to the arts and humanities. Your donation will help PopMatters stay viable through these changing and challenging times where advertising no longer covers our costs. We need your help to keep PopMatters publishing. Thank you.
// Sound Affects
"Natalie Hemby's Puxico is a standout debut from a songwriter who has been behind the scenes for over a decade.READ the article