Voyces United For UNHCR is a benefit album. You’ll have guessed that already from the title. It was released in Europe as a 2-CD set, and then in the U.S. as a single disc of fourteen tracks. I’m listening to the American version. The line-up features a bit of acoustic guitar, one unremarkable dance track, Mary Jane Lamond being swanlike and elegant in Gaelic, and several light pop songs of such brain-sucking vacuity that they drain the life out of everything around them like poisoned weeds in a garden. One singer tells me that she feels me inside her and another suggests that I follow my heart to find my dreams and I don’t know who these people are and I don’t dare to look up their names for fear that I will follow my heart to find them and then hit them, very hard, on the head, for while I am listening to Voyces United For UNHCR then visiting violence upon musicians such as this is indeed my dream. I am possessed of bloody urges, like Alicja Janosz in “Still Alive”, who threatens to kill her ex-boyfriend because she was, like, sooooo nice to him and now he’s dumped her, but she will survive, right? She’s still alive! Take that, ex-boyfriend!
Topics: various artists
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work. We are a wholly independent, women-owned, small company. Your donation will help PopMatters stay viable through these changing, challenging times where costs have risen and advertising has dropped precipitously. PopMatters needs your help to keep publishing. Thank you.