Tuesday, April 14 2015
The idea here is that Madec's limitless financial resources make him every bit as phantasmal and inexorable as Jason Voorhees.
A rigorous, middle ground between lurid populist histories and dry academia, Anna Whitelock provides an excellent biography as a well trained historian.
Aiming for an incisive social commentary on the increasing violence of youth gangs, Class of 1984 falls short.
Seeds of experimentation and collaboration planted long ago bear some of the best fruit of Calexico's long career.
Jill Alexander Essbaum’s first novel bleakly evokes the life of a woman adrift. However well built, it is story constructed over a sinkhole.
On its second album After It All, the Durham-based sextet successfully raids the storehouse of American musical traditions, incorporating influences ranging from blues to folk, rock to pop, and hip-hop to musical theater.
Americana's band of brothers expand their sonic horizons in Water Walker.
Madeon has the ear for a strong hook and a natural knack for dance production, but by failing to provide enough distinction to his tracks on an individual basis, his Tumblr-friendly brand of EDM turns him into a bit of a one-trick pony.
Sidewalk Chalk rise further to the top of the hip-hop scene with their third release, Shoulder Season.
Monday, April 13 2015
The arena for a multiversal clash is set, but lacks theatrics.
Sarah Helm’s Ravensbrück is a searingly comprehensive look at the sole concentration camp built to house women. It is the nonfiction of nightmares.
From 27-29 March, Knoxville, Tennessee music fans were treated to a world of daring and avant-garde music at the latest installment of the Big Ears festival.
The charming and eccentric humor of this vampire mockumentary makes it feel like it was born to be a beloved cult classic.
What becomes of the broken-hearted? They go to an Eels gig, obviously.
The Jon Spencer Blues Explosion aren't about to reinvent the wheel, but with music this good they don't need to.
Filled with beautiful obscurities and aural surprises, this collection will delight fans, new and old, of the genre it celebrates.
Lowland Hum's self-titled new album provides further evidence of their ability to wield seamless harmonies and a hushed low cast glow. While a handful of songs take flight, nothing here really breaks the mold or shows any evidence of an uptick in their MO.
Down Under and down in the mouth, Brisbane's Nite Fields are a certainly a moody bunch, but is that a smile lurking in the gloom?
Friday, April 10 2015
When Lost River premiered at Cannes last year, Gosling's urban fairytale was greeted with jeers. It should have been met with cheers.
This artificial intelligence flick uses the nerd archetype to make points about masculinity, ego, and empathy.