Sunday, January 1 1995
Riding in his cruiser, LAPD Officer Jim Kurring (John C. Reilly) explains what his days are like. While he laments “so much violence,” he also
'The Mexican' follows the turbulent near-end of the relationship between hapless Mafia gopher Jerry Welbach (Brad) and his obsessive, psycho-babbling girlfriend Samantha Barzel (Julia), who reduces everything in her life to 'blame-shifting' and others' inability to express their emotions.
Modulations looks at the hyperreal world of global rave, house, trip-hop, and experimental electronic culture, featuring a cast of the most revered DJs and producers, journalists and fans-on-the-street, stars and some lesser-known artists.
She's the perfect drag queen, embodying the ruthless paradox of entertainment. She is the show that must go on and cannot.
So disappointing because of the unfulfilled promise of a firm stand on news broadcasting and the media.
As Academy Award nomination season rolls around, I hope that Paul Thomas Anderson’s absolutely brilliant Magnolia receives the accolades that it so richly deserves.
Far be it from me to accuse Hollywood of wishful thinking. But as the closing credits for Man on the Moon roll under Andy Kaufman's (Jim Carrey's) timid gaze, it's easy to think the film has been seduced by its own notion that a life of sufficient celebrity can offer freedom from the mortality that afflicts ordinary souls.
Everything in 'The Mummy Returns' is bigger and more expensive, from its impressively enormous matte shots and massive armies composed of thousands of digitized soldiers, to its great swirling sand effects and outsized characters.
On its good-looking surface (being well-composed and carefully lit), 'The Mexican' is a love story.
Early on in the very long Luc Besson film, The Messenger, John Malkovich (playing Charles, Dauphin of France) wishes he could be someone else. It was the one and only time that I identified with anything in the film - I wished I could watch him be someone else! Like himself in Being John Malkovich. The Messenger is an unbelievably dull movie, which is a startling achievement given that the legend of Joan of Arc lends itself pretty well to storytelling of any type.
Music of the Heart tells a terrific story of passion, music, and success. The problem with this film is that director Wes Craven is so intent on telling the story, its very seamlessness becomes a drawback. In short, this movie is too much Hollywood and not enough grit.
Men of Honor opens with a scene that sets up many of its themes and interests, not the least of which is the introduction of
Charlie is mad at this point in the film, despite and because of the fact that he's the designated 'nice' part of this self-sandwich.
Grant Gee's 1998 documentary Meeting People is Easy, which follows rock band Radiohead on their OK Computer tour, is often wildly kinetic, sometimes eerily static but always bubbling under the surface with distortion and static.
The following review contains spoilers. Manifest Density From the Louisiana Purchase to the Mexican-American war, the history of the United States is punctuated often by
Set in 1903, 'Oberwald' is an adaptation of a Jean Cocteau play called 'The Two-Headed Eagle'. The play and subsequent video are both premised on the kind of everyplot that evokes many common narratives at once.
Charlie's suppressed despair over the failed marriage and the humiliations he suffers as a highway patrolman coalesce into alterego Hank, who emerges David Banner style whenever Charlie encounters confrontation or conflict.
When he places an ad in the local paper to sell a used lethal injection machine, Fred Leuchter seems genuinely surprised to learn the ad has been pulled and banned from publication. To say the least, Leuchter appears out of touch with reality.
The first Mission: Impossible film was an elaborately nonsensical piece of eye candy, little more than an excuse to outfit Tom Cruise in tight black