Wednesday, September 26 2001
With his 1994 eponymous debut, Keb’ Mo’, the Los Angeles-native also known as Kevin Moore let loose with an album full of solid songwriting and extraordinary
Sigur Rós fans take note: although the Icelandic art-rockers get prominent billing on this film soundtrack, they contribute only two songs. The bulk of
In the awkward divide that has built up between the Burns-Crouch-Marsalis camp and the anti-Burnsites in the past year, any young artist who shows anything
Okay, right off the bat, let’s acknowledge the Paul McCartney influence here. Matt Nichols of KEXP radio in Seattle said of Rewriting the Wrongs
Tuesday, September 25 2001
The Strokes have a great sound, and the album is lots of fun. But they are not the saviors of rock 'n' roll, nor are they even remotely cool.
Monday, September 24 2001
The Big Music is back. Now Mike Scott calls it “sonic rock” (there is no flesh-and-blood saxophonist these days) as he has come full circle
With enough chill-out compilations out there to fill a giant-sized bargain bin, it’s going to take a really good album to impress me. As
The range of subjects of tribute albums is vast: everyone from the Beatles to Elvis, Cole Porter to Leonard Cohen, Suzanne Vega to Black Sabbath,
Woven is probably an appropriate name for this band. It does, indeed, weave together a few different styles of music to create something that is
Whether being hailed as the “new Bob Dylan” (early in his career) or better known (now) as the father of Rufus Wainwright, singer-songwriter Loudon Wainwright
BBE have chosen this year, not one that will be remembered for its hip-hop classics, to launch their would-be-definitive Beatmasters series. BBE collections carry a
The Verve Pipe, though, seem to be made of sterner stuff. Teaming with producer Adam Schlesinger (of Fountains of Wayne), the group has effectively reinvented/
Unlike Suzanne Vega’s previous albums, Songs in Red and Gray comes with a lot of public baggage. Since 1996’s wonderful Nine Objects of Desire,
A common misconception about electronic based music is that if it isn’t being played in a dance club with a couple hundred sweaty bodies
“Great art, whether it’s music or not, cannot be appreciated without effort. The trick is not to be passive.” —Roland Orzabal, chief songwriter, singer
The Starlight Lounge is a familiar archetype in the American imagination—a poorly lit bar with red velvet-textured wallpaper, where the stale air is thick
Man, it is finally here! The long-awaited, most triumphant release of what could possibly be the most important album of the year! Nay, the decade!
The personal nature of these songs is what really sets 'Let It Come Down' apart from anything Spiritualized has done before. It's as though J. Spaceman has realized that once you're in deep outer-space, the only way to escape is to come back home.
It’s kind of a legend, at least in pop music terms. Paul Simon is having the third or fourth of his mid-life crises, driving
Try for a second to imagine guitar-based pop as commercially viable again. Imagine for a second that major record labels, y’know, those Snake Oil