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Reviews

Monday, September 17 2001

    Money Mark: Change Is Coming

Mark Nishita, a.k.a. Money Mark, is a hard man to pin down. If you recognize the name, it’s most likely because of


    The Mad Capsule Markets: OSC-DIS (Oscillator in Distortion)

Ladies and gentlemen of the jury: My clients, the Mad Capsule Markets, are accused of many things. The prosecution has tried very hard to paint


    John Mayer: Room for Squares

Ladies and gentlemen, I give to you . . . John Mayer! Now, just be quiet a moment. You’re going to love this guy! You’re going


    Melochrome: Stay a Little Longer

Melochrome really lives up to the “mellow” in its name on Stay a Little Longer. The sophomore effort from the Chicago dream-pop unit is a


Yo-Yo Ma: Classic Yo-Yo

It’s safe to say that Yo-Yo Ma has been classical music’s most successful goodwill ambassador of the last decade. His unparalleled technical virtuosity,


    Brad Mehldau Trio: Progression—Art of the Trio Volume 5

The sleeve notes to Progression aren’t going to do much for jazz’s reputation as too highbrow for its own good consisting, as they


    Milemarker: Anaesthetic

Something about Milemarker’s previous album, Frigid Forms Sell, just never sat right with me. Actually, I should make that a couple of “somethings”—the


Live: V

The year is 1994. The moment the world heard “I Alone”, there was almost an audible moment of silence. Wow. Where did that come from? Who


Gerald Levert: Gerald’s World

Gerald Levert is arguably the most consistent R&B vocalist of this generation.


    Al Kooper: Rare & Well Done: The Greatest and Rarest of Al Kooper

Everyone knows Al Kooper in one form or another. If the name isn’t instantly recognizable, then Kooper’s long list of musical contributions and


    Diana Krall: The Look of Love

Yes, Diana Krall is beautiful, a jazz pinup in the most classic sense. With her latest effort, The Look of Love, it is difficult to


Macy Gray: The Id

What Gray possesses is a distinct voice and even more distinct personality that has given her the kind of visibility that she could have never imagined-the gawky brown girl with the squeaky voice has perhaps “queered” our perceptions of “The Diva”.


Gorky’s Zygotic Mynci: How I Long to Feel That Summer in My Heart

Gorky's Zygotic Mynci are often tagged as a Britpop band, mainly, it seems, because they play a sometimes quirky brand of indie fare that happened to come to the attention of English listeners during the '90s amid the Cool Britannia hype and hoopla . . . [however the] sound of GZM clearly challenged the Englishness that dominated Britpop and questioned the terms of its urban, largely male, rock hegemony.


Clinic: Internal Wrangler

In a recent Spin feature, the members of Radiohead were asked to name their favorite albums of 2000. The one record that showed up on all


Alice Cooper: Dragontown

I love classic Alice Cooper albums. There’s a lot of rock and roll joy to be found in such LPs as School’s Out,


Collective Soul: 7even Year Itch

Collective Soul are definitely an interesting, if somewhat strange band. Over the course of a seven year career, the band has sold more than five


Curve: Gift

It’s been a while since I’ve heard from Curve. I was a fan of theirs from the beginning. When Doppelganger came out back


Bis: Return to Central

A funny thing tends to happen to bands whose early notoriety is based around catchy songs despite a conspicuous lack of technical competence. From this


Athenaeum: self-titled

It’s good to see that not EVERY new rock band supported by major labels has to be a Blink 182 clone, Limp Bizkit rip-off or


Aesop Rock: Labor Days

Aesop Rock, an MC who spins an enigmatic web of words like some sort of high-strung, whacked-out prophet, makes a striking mark with Labor Days.


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