Thursday, August 28 2014
Werner Sollors' memories formed the basis for this book, but his research caused him to re-evaluate and re-imagine what he thought he knew about the time and the era.
Tinnarose is a singer-songwriter showcase of the highest order, and there’s plenty of material to keep coming back to.
After taking a year off to celebrate the label's 20th anniversary, Kompakt's annual Total compilation is back.
This third volume of reissues from the Cleaners From Venus gives us another set of complications to consider in Martin Newell's work.
Take Pride in Your Long Odds adds further talking points to Centro-matic’s esteemed canon.
Wednesday, August 27 2014
How an innocent camping trip can be ruined by a reasonable misunderstanding
These stories, to borrow Carrie Fisher’s title, are postcards from the edge, a place McCracken’s creative heart has taken up residence.
The movie wastes its impressive cast, choosing instead to drown itself in sentimentalism.
Brill Bruisers, with its blaring, neon keyboards and deep hooks, is both a prototypical New Pornographers record and another variation on the band's established themes.
The third and final installment in Lev Grossman's 'Magicians' trilogy, The Magician's Land, is also its best.
Snider covers Kent Finlay on Cheatham Street Warehouse to raise funds for Finlay’s medical care.
Matt Sharp's side project-turned-band is back, and they sound just like most of you remember them. But is that really such a good thing?
When May rants about a "Wild Woman", we know that it's the woman that lives inside her. She ferociously attacks the lyrics, growling and stuttering as needed.
Soulful duo Kindred the Family Soul retain the refined persona of R&B on latest album A Couple Friends.
Tuesday, August 26 2014
With episode 4 of its second season, I feel as if the well is running dry on Telltale's ability to wring new meaning out of The Walking Dead franchise.
In this story of multiple worlds, fiction is fact and comicbooks are true.
The Dylanologists doesn't give up any answers about Dylan, but it does ask the right questions of people, on the trail through Dylan's America.
Infusing Alice Munro's portrait of a lonely woman and her quest for happiness with deadpan comic beats, Kristen Wiig muddies the tone of "Hateship Loveship" and leaves it without a center.
The UK progressive house duo is in transition on their latest full-length.
For its themes of loss and longing, its wide-eyed sense of wistfulness, for all of its hopefulness in misfortune, Lose ends up being a win.