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Monday, July 28 2014

John Escreet: Sounds, Space and Structures

On his sixth recording, this young UK pianist based in New York brings his trio into a fully improvised encounter with British avant-garde saxophone legend Evan Parker.


Otto A Totland: Pinô

Fans of Nils Frahm must be introduced to Otto A Totland, whose delicate piano melodies will forever feel like home.


Sunday, July 27 2014

The Elemental Appeal of ‘The Choking Game’

A paean to the virtue of arrested development lurks at the core, here, which may be predictable. After all, we’re talking about a Lifetime original movie.


Friday, July 25 2014

Scarlett Johansson Gets Goopy in ‘Lucy’

This might be as close to a point as Lucy can get, the essential illogic of movies, of illusion, of delusion.


The Glory of ‘Hercules’ and the Glory of Dwayne Johnson

Sweating and bleeding, swinging maces and destroying architecture, Hercules imposes his will by way of his body, the legend becoming a truth in spite of itself.


Woody Allen’s ‘Magic in the Moonlight’ Considers the Value of Illusion

Stanley rejects the very notion of an afterlife, bitterly noting, like so many Woody Allen characters before him, that our current existence is all we get.


Chalice California (featuring STS9 + Les Claypool’s Duo de Twang

Chalice provided the grooviest kicks seen along old Route 66 in some time.


Bob Marley and the Wailers: Legend (30th Anniversary Edition)

Legend presents Bob Marley at his most unthreatening, and most anodyne. And that was intentional.


Dave Douglas and Uri Caine: Present Joys

Frequent collaborators (trumpet and piano) make their first duet album, interpreting the “shape-note singing” tradition. Simple, different, delightful.


Kitten: Kitten

Kitten may be a young band, but it has an old style. That it partially misses the mark is just an example of music being way too regressive for its own good.


Nerina Pallot: Grand Union / When I Grow Up

Nerina Pallot’s fifth and sixth EPs of 2014 are both challenging and ambitious with big ideas, from pop to disco to funk to electro.


Pigeon John: Encino Man

As a title, Encino Man works both as a shout-out to John's beloved L.A. and a wink toward vintage coolness -- the album is a virtual love letter to '70s and '80s pop radio.


Stanton Moore: Conversations

With Conversations, drummer Stanton Moore moves away from the groove-infused work of his previous albums and work with Galactic and into straight ahead jazz territory.


Thursday, July 24 2014

The Who’s Pomp and Bombast, Egos and Flaws

The Who FAQ brings some entertaining insight into who the hell those guys are.


‘The Newburgh Sting’ Has Us Wondering, Is the FBI Thwarting or Conjuring Terrorism?

The plot these would-be terrorists conjure is as preposterous as any you'd find in a bad action movie.


Sun-Drenched ‘90s Nostalgia at Forecastle Day Three

Forecastle rounded out its 2014 installment with aplomb, proving that it is only going to get bigger and better from here on out.


Tatiana Maslany Continues to Astound in ‘Orphan Black: Season Two’

The second season of BBC America’s Orphan Black continues its breakneck pace of twists and turns, all the while showcasing the best performance on television.


“Weird Al” Yankovic: Mandatory Fun

Yankovic's release-week overexposure lead him to having his first #1 album, but the parodies prove to be way better than the originals this go-round. #Accordions


Got a Girl: I Love You But I Must Drive Off This Cliff Now

These are faithfully recreated jet-setting sounds from the golden age of air travel, and the highs hit quite high.


Unkle Bob: Embers

Reformed British band Unkle Bob reform and return with characteristic charm on third album Embers.


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