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Thursday, September 18 2014

Ben Glover: Atlantic

On Atlantic, redemption awaits in the cleansing waters of the river, if not in the chorus of the songs or the hallowed memory of Robert Johnson that Ben Glover invokes.


Wednesday, September 17 2014

Trombone Shorty & Orleans Avenue + Galactic

New Orleans musicians rarely disappoint. They come from a world where music is practically akin to religion, and they always seem to know how to rise to the occasion.


‘Runers’: What’s My Motivation?

Shoot better and better and better. Then, shoot some more.


‘Red Band Society’: Life is Full of Black Holes, Honey

It's hard to overstate the overstatement in Red Band Society.


Brave New Values: “Super Secret Crisis War: Foster’s Home for Imaginary Friends”

Cohen elevates the all ages genre by tackling '90s generational creep with latent themes in Foster's Home for Imaginary Friends.


Stylish and Dramatic, ‘Breathless’ Delivers

Breathless is an entertaining glimpse into a time period both dominated by men and also on the cusp of great change.


Soul Murder and Dreams in ‘Colorless Tsukuru Tazaki and His Years of Pilgrimage’

Like the cobwebs and spider webs that colonize a neglected basement, Haruki Murakami’s filamentous plot threads trail uncannily across our psyches.


From Outer Space to the Bowels of Planet Earth, This Is the Stuff We’re Made Of

In Stuff Matters, Mark Miodownik, a quirky science writer, shares his love and knowledge of the materials that shape our world.


‘Queen Margot’ Is a History That Only Goes Downhill

Patrice Chéreau's multiple César winning film receives a lavish 20th anniversary edition from Cohen.


Banks: Goddess

If you happen to be in the market for a new, hyper-hip iteration of slow-burning electronica, then Jillian Banks is your girl.


GRMLN: Soon Away

On his third release as GRMLN, Yoodoo Park expands and explores pop-punk's roots.


‘Walt Before Skeezix’ Captures a Slice of American Life just After World War I

'Walt Before Skeezix' offers an in-depth look at the early days of 'Gasoline Alley' in a beautifully-presented volume.


The Wilderness of Manitoba: Between Colours

Between Colours reaches for the sun and the stars, not to mention the backs of the bleachers.


Sarah Jaffe: Don’t Disconnect

Sarah Jaffe speaks volumes while singing very little on Don't Disconnect's futuristic indictment against modernity.


David Kilgour and the Heavy Eights: End Times Undone

Similar to albums by Kilgour's band the Clean, End Times Undone feels longer than it is, in a good way.


Die Antwoord: Donker Mag

Die Antwoord have described their work as "exaggerated experience", and that's apt. Anger, lust, passion, violence - all things through the lens of Die Antwoord become amplified to the point of deafening.


Tuesday, September 16 2014

‘This Is Where I Leave You’: Family Dramedy Revisited

This, of course, is how such concoctions work: all supporting players tell you something about the original squabbling family members, and each of these tells you something about the primary family member.


This Issue Has Harold H. Harold!: “Hawkeye #20”

Matt Fraction is leaving Hawkeye. It's just never gonna be the same.


“I’ve Seen the Future and It’s Hungry”

The Bone Clocks merges set-scenes of imaginative showdowns with intellectual reflection, which will reward the keen and alert reader.


More Than Bjork: A Journey Through Iceland’s Pop Music History

Blue Eyed Pop includes a trove of candid band shots, live performance photos and more that would otherwise go unseen by anyone outside of Iceland.


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