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Monday, January 28 2002

Dawn Robinson: Dawn

The real question is why should this gifted singer care enough about envious haters to sing a song about them, and then make that song

Vikter Duplaix: DJ Kicks

It may not quite grab the headlines in the way it once did in the Gamble-Huff heydays, but there is no denying that Philadelphia is

Cracker: Forever

Cracker front man David Lowery says that Cracker seeks to be egalitarian in their approach to creating fresh, independent rock music, and that approach extends

Citizen Cope: self-titled

Most discriminating music fans (read: music snobs) can pinpoint almost instantly what it is about those artists they don’t like (read: that which sucks,

Thursday, January 24 2002

A Walk to Remember (2002)


Metropolis (2001) - PopMatters Film Review )

It's not so often that you see an anime as deliberately unsexy as Rintaro's 'Metropolis'.

The Mothman Prophecies (2002)

As John (Richard Gere) begins to question his own journalistic rigor and even his sanity, a number of inconsistencies in the stories of the mothman crop up.

The Count of Monte Cristo (2002)

It's exceedingly good to see Luis Guzmán looking so vibrantly out of place in Kevin Reynolds' 'The Count of Monte Cristo'.

Monday, January 21 2002

Various Artists: Preachin’ the Blues: The Music of Mississippi Fred McDowell

“I don’t play no rock ‘n’ roll” —Mississippi Fred McDowell It was Son House who recorded the scandalous “Preachin’ Blues” in the ‘40s and

Willard Grant Conspiracy & Telefunk: In the Fishtank (Fish Eight)

This album is best explained by first returning to the general idea itself. This Dutch label has created a series of short length discs that

Matthew Shipp: Nu Bop

Matthew Shipp’s latest contribution to his label’s Blue Series, which he curates with a golden touch, is a merging of electronics and jazz

Sianspheric: The Sound of the Color of the Sun

Even with the volume turned up, Sianspheric is quiet. Wrapped in hushed emotions, The Sound of the Color of the Sun whispers and murmurs lightly

Seaworthy: The Ride

Murmuring unintelligible secrets, Seaworthy’s The Ride just shimmers along without a true destination. Always subtle, always intangible, these thinly arranged songs dance around as

The Stratford Four: The Revolt Against Tired Noises

In past PopMatters reviews of the Mezzanines, Starlight Mints, and Je Suis France, I couldn’t help but point out how these contemporary guitar-based indie

Nine Inch Nails: And All That Could Have Been

The title of the new Nine Inch Nails disc, And All That Could Have Been, is perhaps a case of Trent Reznor taking a slight

Mates of State: Our Constant Concern

There really is no one else who sounds like Mates of State. Of course, every band has some quality that makes them unique, but Mates

Mekons: Fear and Whiskey

You wake up in the afternoon to headlines about a goofy reactionary figurehead President, and his pal the British Prime Minister, both of whom are

Richard Hawley: Late Night Final

Warning: what you are about to experience contains not a hint of irony or pessism, skepticism or half-truths, denial or doubt. There are no ulterior

Fieldy’s Dreams: Rock ‘n’ Roll Gangster

In the press release for Rock ‘n’ Roll Gangster, the first solo release from Korn bassist Fieldy (under the pseudonym “Fieldy’s Dreams”), he is

Check Engine: self-titled

Another day, another math rock band. That means lots of supposedly interesting time signatures that never creep into 4/4, guitar riffs that seem more intent on

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