Wednesday, March 25 2015
In topics ranging from poverty to war’s ravages to environmental collapse, Piercy obeys the poet’s dictum to act as witness with Made in Detroit.
Like all great films based on great literature, Watership Down does a fine job of not replacing, but rather complementing the source material.
Earl Sweatshirt leaves shock horror behind and finds something much better on his brilliant third album.
Readers that aren’t easily offended will find themselves laughing and cringing at what is surely the raunchiest history book in years.
In the end, this is exactly what we have come to expect from Lightning Bolt; a set list of fuzzy, overwhelming, noise rock that keeps it simple while never missing its target.
Tulsa speaks to more than the desolate environs its sound sometimes suggests.
Distressing, awkward, disturbing and almost upsetting, this aura of discomfort, if combined with the sound of the term itself (|ˈkɒntrətɒ̃|) is the essence of the music presented by Joel Ebner.
Junior Wells and his men straddle two decades and lay down 15 gems.
Tuesday, March 24 2015
It’s when publishers create titles outside the hype of their most recognizable heroes that writers and artists are able take risks that can lead to some of the most innovative and original comic books available. This is where Gotham Academy comes in.
Die-hard Sondheim fans may enjoy this adaptation, but the rest of the world should revisit Chicago and wonder why Marshall hasn’t been able to capture that film’s magic since.
Forgoing the obvious hits and contemporary pop star collaborators, iconoclast Van Morrison raises the bar for what duet albums can and should be.
The assortment of different tunes here suggests McKay understands the complexity of the past and reveals her empathy for a more hopeful time when love and peace were fresh thoughts rather than a debased slogan.
Michael Booth sets out to investigate the mystery of Scandinavian perfection. He doesn’t find the answer, but what he does find is equally entertaining.
Larson's description of the torpedoing of the Lusitania churns like an angry sea, full of detail gleaned from memoirs and letters of survivors and rescuers.
The Brothers Jarman maintain a taut, propulsive sound. There’s no let up at all, and even the more melodic entries maintain a considerable amount of swagger and sway.
Does every album have to be a classic? Minor pleasures are still pleasures, at the end of the day.
The Popguns are an archetypal '80s/'90s Brit indie band who, although they can knock out a passable tune, lack the inspiration or adventure to stray any distance from their fixed musical roots.
Monday, March 23 2015
Superman reveals his identity and spends a day without his powers, but he still finds a way to be a heroic ideal.
Disorder doesn't know how to balance its gameplay with its story or its art with its gameplay. It's a game whose individual pieces work well on their own, but when mixed together, they only break what was in the beginning a pretty fun game.
This is Deepti Kapoor’s time to paint a picture of India that no one has the nerve to do anymore.