How Does the Mind of the Political Reactionary Work?

How Does the Mind of the Political Reactionary Work?

By Hans Rollman

Mark Lilla notes in The Shipwrecked Mind, “Apocalyptic historiography never goes out of style.” 29 Aug 2016 // 8:30 AM

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//Recent Reviews

10 Apr 2006 // 1:00 AM

Anyone familiar with Ennis's other comic projects knows that he doesn't readily tip-toe around issues possibly offensive to the church or the far right.

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10 Apr 2006 // 1:00 AM

Arctic Monkeys + The Spinto Band

A tale of chilly chimps and the last van standing.

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10 Apr 2006 // 1:00 AM

Break, Blow, Burn by Camille Paglia

It seems right, somehow, that someone who so enthusiastically embraced pop-culture, and the plethora of images pouring in, now patients us to the slowness and focus required for poetry.

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10 Apr 2006 // 1:00 AM

Daltry Calhoun (2005)

What a pity Katrina Holden Bronson didn't spend as much time perfecting her script as she did her soundtrack.

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Terence Trent DArby: Do You Love Me Like You Say?

A worthwhile introduction (or re-introduction) to an extremely underrated artist who stubbornly and satisfyingly followed his own muse.

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Edwin McCain: Lost in America

Lost in America is Americana through a mid-'90s singer-songwriter filter, except a little less exciting.

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Pinetop Seven: Beneath Confederate Lake

Winter may be ending where you are, but sometimes you need to get in touch with your inner autumn. Let the Pinetop Seven help you.

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Duduka Da Fonseca Quintet: Samba Jazz in Black & White

A breezy samba-jazz date suggests the warmer days ahead.

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Alva Noto & Ryuichi Sakamoto: insen

A deceptively relaxing collaboration between a composer and a sound designer...

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Faris Nourallah: Near the Sun

Faris Nourallah hides a complex worldview in direct pop songs. Smile as you resolve those philosophical dilemmas.

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More Recent Reviews
//Mixed media
//Blogs

Best of the Moving Pixels Podcast: Further Explorations of the Zero

// Moving Pixels

"We continue our discussion of the early episodes of Kentucky Route Zero by focusing on its third act.

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