Thursday, April 11 2002
When the children speak for themselves, 'Promises' is very powerful.
National Lampoon's Van Wilder [is] the latest version of Maxim, the Movie.
What makes the Maysles' work special lies in how they manage, by focusing so intently on their subjects, to elicit a body of information that the audience is compelled to examine for its possible meaning.
Moody, perverse, and full to busting with metaphorical cautions.
Wednesday, April 10 2002
It’s very fitting that the reunited duo of Pete Shelley and Howard Devoto have released their new album, Buzzkunst, under the name ShelleyDevoto. After
Having grown jaded by what had become the definitive portrait of the indie/math rock aesthetic throughout the 1990s—a sulking, shiftless-when-idle mentality juxtaposed with
Flash! To any and all who ever wished they had experienced the best of late ‘70s punk-rock-new wave, and especially if you have, you gotta
Speaking of Now disappoints. It disappoints because at first it seems so promising. On the first two tracks, “As It Is” and “Proof”, the Pat
Though everyone acknowledges the fact that Patti Labelle possesses one of the most powerful and expressive voices in popular music, she remains best known for
Without this brilliant effort, none of the others would’ve been possible. A modern classic.
Years of experience singing a cappella have brought a feast of harmonic delights that grace the songs on this new and spectacularly melodic collection from
The White Stripes are the real deal. No bass guitar, no samples, no click tracks, no "exploratory jams" -- just monster tunes, earth-shaking guitar, a telepathically intuitive drummer, and a vocal delivery that can evoke Iggy Pop as easily as Gene Vincent.
This was one of the most oddly-billed shows I have witnessed in quite some time. Allow me to explain myself. For the opening band we
“Holy shit!” are the first spoken words out of Phantom Planet’s lead singer Alex Greenwald’s mouth when he takes in the roar of
This past December, former Downbeat associate editor and part time pundit for the JazzTimes Nat Hentoff pontificated that Jane Monheit and Diana Krall—two of
Divadom was the order of the night at the Magic Stick in Detroit, Michigan last Friday. From the put-upon bartenders, to the heavily made-up party
The Faint Are Anything But It was a night of surprises, of embarrassing schlock and unexpected glee. But more on that later. The evening’s
Tuesday, April 9 2002
Power pop as a genre has changed little during its existence. It can be traced from the Beatles, down through Cheap Trick, Matthew Sweet, the
Let’s not jump to conclusions, however: Between the Senses is hardly a record of “Say Something"s; it sometimes seems as if the remainder