Sunday, January 1 1995
Early rumors labeled the show 'Ally McBeal Goes to College', and it's taken two full seasons to grow into the designation.
In the end, 'Friends' has become the epitome of 'Must-See TV' -- not because it's in our best interest to watch it, but because without us, these people have no reason to be together.
What we're left with is a string of TV-caliber action sequences, like Kimble jumping off a building, that only serve to remind us how cool it was when Harrison Ford plummeted off that dam.
[Reality television] is truly a dead horse, and MTV is beating it.
In 'First Monday', even more than in 'The West Wing', religious belief functions as a dramatic (and heavy-handed) shortcut.
Right off the bat, 'Freakylinks' annoys.
Even if 'Frasier' does continue to fade, many viewers will maintain their emotional and intellectual investment in the show, motivated by nostalgia rather than the hallmarks of the first seven seasons -- originality, wit, and superb ensemble work.
'Fear Factor' perfectly plays off the voyeurism we've become used to with TV -- looking without being caught.
It’s the year 2000 and eighties nostalgia is in full swing. Superstar drug casualty Drew Barrymore has already done the eighties, Hollywood-style, in 1998’s Adam
'The Education of Max Bickford' has yet to strike the right balance between outspoken politics and a desire not to offend.
Entourage's depiction of the delicate symbiotic relationship between the talent and their support staff is often perceptive and revealing, elevating the series above pure fantasy or self-parody.
As much as the lines between 'independent' and 'mainstream' movies seem impossibly blurred, the impulse to mark their difference appears irresistible.
[On 'elimiDATE',] the fickleness of the wooed always surprises.
Doesn't Emeril know that media over-saturation could do to him what too few eggs (because I didn't feel like going to the store) did to my Devil's Food chocolate cake?
CBS probably wanted it clear from the start that The Ellen Show, unlike Degeneres' previous series, is not a 'lesbian show,' but a show in which the main character just happens to be a lesbian -- an uneasy and unclear difference to be sure.
Everyone in Stuckeyville seems to have an anomalous background and perspective on life, so the advice that Ed gets ranges from the practical to the absurd.
Perhaps there should be a redistribution of sorrow here, a socialism of tragedy. Spread the misery around so everyone can have some. Let Elizabeth be pregnant and let 'Dr. Dave' get sued for malpractice and pass the brain tumor on to someone else who can 'use' it.
In 'Enterprise', all of the neato gadgets that have become Star Trek mainstays -- tricorders, phasers, communicators -- are new to the characters.
The specter of the mechanized legal system is the lasting impression of 'The Execution of Wanda Jean'. Despite questions about her mental state, despite the expressed wishes of her victim's brother and mother, despite Wanda Jean's prayerful optimism, the process of her execution is relentless.