Monday, July 9 2001
What exactly is “power pop”? I really don’t know, but if it is anything like Chicago’s Autoliner, it amounts to a weird amalgamation
Friday, July 6 2001
“What you will NOT see is a crappy self made CD recorded on a friend’s MY-FIRST-4-TRACK.” This is but one of many bold
Tuesday, July 3 2001
The first thing that separates the White Stripes from the redundant, boring wank that passes for adventurous music these days is that the White Stripes can actually, you know, rock.
Monday, July 2 2001
is one of the more compelling performers in contemporary country, a musical landscape cluttered with well dressed divas (and sometimes their husbands), Hat Acts, and an unsettling new interest in 'boy bands'.
The Wu-Tang Clan aren’t only one of the most innovative hip-hop groups of the last decade, they’re a corporate entity, albeit one that
Making a mix tape and buying a mix tape are two entirely different experiences. You make your own and you’re only limited by what
Peter Tosh was the consummate Wailer in this critic’s humble opinion. He was the only one who fully realized that he could use reggae’
Back in the ‘80s, when asked what he thought of Morrissey and his incessant moping, the Fall’s Mark E. Smith wryly suggested that the
Jazz. Rock. Two genres that sometimes don’t always complement each other. For every interesting and entertaining band out there that pulls off some great
To me, the name “Clogs” sounds like it would be associated with dark or dissonant music, perhaps the side project of a goth or industrial
Saturday, June 30 2001
G. Love threatened to take James Brown's title for Hardest Working Man in Show Business away from him recently -- at least for the night he was playing Park City.
Friday, June 29 2001
. They eschew attention, yet they're media darlings. Reactions to their recent recordings are anything but lukewarm, yet they refuse to explain themselves. They transform studio-centric creations into live songs that are both towering and incandescent, yet they tour infrequently.
Wednesday, June 27 2001
Tribute records trade on our respect for the artists they supposedly pay tribute to, and bet that we’ll pay good money for an album
Well here we are again with another pop-punk band that is poised with axes in hand and a sizable fan base to back them up.
I used to call it the Chapel Hill work ethic. Certain Southern bands of the early nineties-Superchunk, Archers of Loaf, Small (23), and the like seemed
Let me take a few moments here to describe the packaging of this EP. It doesn’t come in a jewel box, but in a
One reason nouveau traditional genres like roots rock or twang arise is to offer new expressive tropes when the old ones wear out. Rock and
Tuesday, June 26 2001
the dubious distinction of 'supergroup'. Yet they're all still anonymous enough that you don't get the pretension that is usually attached to anything 'super'.
Eliane Elias is one of those musicians who have tended to slip through the critical net and therefore she receives less than her share of
Monday, June 25 2001
It’s 2001 and what better time for the kind of space (rock) oddities collected on Fluorescent Tunnelvision? This new Mother West/Submergence compilation charts the