Black Widow Earns Her Mark in 'Black Widow #19'

Black Widow Earns Her Mark in 'Black Widow #19'

By Matthew Fay

The story of the infamous "red" in Natasha's ledger is brought to light. 6 Jul 2015 // 9:27 AM

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//Recent Reviews
	Osvaldo Golijov / Luciano Berio: Ayre / Folk Songs

Using Folk Songs as a starting point and the lovely voice of Dawn Upshaw as inspiration, Golijov has created a work of remarkable breadth and nuance.

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	Franz Ferdinand: You Could Have It So Much Better

For once, a heavily-hyped follow-up that lives up to expectations. We're lucky lucky, we're so lucky.

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9 Oct 2005 // 11:00 PM

	Sheryl Crow: Wildflower

Previously underrated, Sheryl Crow returns with a record not worth defending.

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Wallace & Gromit: The Curse of the Were-Rabbit (2005)

Cute but not aggravating. Witty but not arrogant. Wallace & Gromit is a clever send-up of classic horror movies.

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9 Oct 2005 // 1:00 AM

In Her Shoes (2005)

In Her Shoes is formula of the quality sort. Formula that showcases big performances and metaphors, and mood-indicating rock songs.

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Good Night, and Good Luck (2005)

Shot in exquisite black and white, George Clooney's portrait of Edward R. Murrow is partly reverential, partly probing.

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9 Oct 2005 // 1:00 AM

The Gospel (2005)

Frank's ambition to expand the church, following the spectacular-show/mega-church model, has led him to think rather highly of himself as well.

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9 Oct 2005 // 1:00 AM

Dear Wendy (2005)

It's difficult to resist getting all psychoanalytic on Dear Wendy, as it is excessively Freudian in its phallic imagery.

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It's difficult to connect something as terrestrially mundane as aging to this strange little man and his sad, enchanting voice...

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Twelfth Night (1988): Anton Lesser, Richard Briers, Abigail McKern, Caroline Langrishe

Meticulously straightforward, Paul Kafno's direction of Twelfth Night suits Kenneth Branagh's inconspicuous stage direction.

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More Recent Reviews
//Mixed media
//Blogs

'True Detective': Maybe Tomorrow

// Channel Surfing

"True Detective, Season 2, Episode 3: Where does the kitsch end and the surreal begin?

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