The Ongoing Conversation of Gender and Sexuality

The Ongoing Conversation of Gender and Sexuality

By Sarah Boslaugh

Dutch author Maxim Februari's The Making of a Man is an interesting, if sometimes frustrating, contribution to discussions of gender and sexuality. 27 May 2015 // 6:16 AM

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//Recent Reviews
	Def Harmonic: All These Worldz

Second album from Milwaukee hip-hop duo is full of P-Funk grooves and trippy rhymes, but has only a couple standout tracks to show for it.

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18 Aug 2005 // 10:00 PM

	Criteria: When We Break

Everything has become watered down in the world of the Criteria front man.

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When I bumped into a stumbling Billy Idol on my way to get a beer, something became immediately clear: this wasn't going to be the same ol' same ol'...

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Undeclared: The Complete Series

As Judd Apatow points out, 22 minutes is a challenging timeframe for developing characters, making jokes, and advancing the plot.

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18 Aug 2005 // 12:00 AM

Starved

Much as the Seinfeld foursome reflected the shallow, carefree, self-absorption of the '90s, the Starved four reflect U.S. anxiety after 9/11.

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Outlaw Volleyball Remixed

Racial epithets seem largely to be one of the few ways that a young rebel can, well... rebel anymore.

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18 Aug 2005 // 12:00 AM

Bleed Into Me: A Book of Stories by Stephen Graham Jones

Jones's characters are always a hair's breadth away from incarceration, eviction, or any number of other troubles.

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	Various Artists: Sugar Lumps

'Classic' psychedelic rock 'n' roll from the '60s and '00s. That's right, '00s.

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17 Aug 2005 // 10:00 PM

	The Works: The Works

The Works are the masters of heartfelt pastiche, taking the swirls, swells, runs and flourishes of the psychedelia genre, piecing together moving pictures of free love and acid trips.

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	J.W. Warren: Life Ain’t Worth Livin’

Yet another great slice of the blues from the George Mitchell collection.

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More Recent Reviews
//Mixed media
//Blogs

A Crooked and Unseen Highway: lowercase - "She Takes Me"

// Sound Affects

"The newest Between the Grooves series tackles Lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost 20 years later.

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