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Tuesday, October 21 2014

A Parable of Faith on a Desert Planet

As in Faber's previous fiction, the situation the protagonist meets in The Book of Strange New Things appears to be more complex than what this idealistic but flawed Everyman can fully comprehend.


It All Comes Back to Haunt You: “Cutter #3”

Artist Christian DiBari's black-and-white panels feel more than a little like a woodcut – roughly done with a pocket knife, all slash marks and scars, as if the killer herself is carving out this story with her bloody blade.


‘The World Atlas of Street Photography’ Is a Commanding Overview

Readers familiar with these artists will be happy with this representative selection, while newcomers such as myself will find much to pore over, much to enjoy and much to provoke thought.


‘Queen: Live at the Rainbow ‘74’: Still Killer Queen, After All These Years

Live at the Rainbow '74 doesn't contain all of Queen's biggest commercial hits, but features some of their heaviest rock from their amazing early days.


Mark Lanegan Band: Phantom Radio

Phantom Radio is the quintessential Mark Lanegan album, both a great starting point for those uninitiated to his world and a document that the most devoted members of his cult fanbase will cherish as one of his best.


Thurston Moore: The Best Day

Thurston Moore's most ambitious solo album and the best Sonic Youth-related release since 2004's Sonic Nurse.


Oh Susanna: Namedropper

American-Canadian singer-songwriter Suzie Ungerleider ropes in other Canadian musicians to write songs for her to wildly varying results.


ABBA: Live at Wembley Arena

On Live at Wembley Arena, ABBA deliver a tightly choreographed and wildly enjoyable performance during the height of their powers.


Pinkcourtesyphone: Description of Problem

Richard Chartier returns with another exploration of post-modernist exploration in detached existence of suburban pink-hued glamour.


Rowland S Howard: Pop Crimes

Reissue of the final solo album by the hugely overlooked Australian post-punk hero, Rowland S Howard.


Monday, October 20 2014

A Fitting (But Incomplete) End: “Death of Wolverine #4”

Wolverine's demise had just enough substance and not nearly enough style.


‘Neverending Nightmares’ Is More Tedious Than Terrifying

While it looks quite amazing, the problem with Neverending Nightmares is that there is a real lack of a bigger picture, either strategically or narratively, to motivate the play itself.


‘Watchers of the Sky’ and the Full Cruelty of Consciousness

Brutality can take many forms, from war making to banking.


‘The Vincent Price Collection II’ Is a B-Movie Lover’s Dream

Vincent Price brought class to everything he did, a quality evident even in the B-movies of The Vincent Price Collection II.


It’s Back to the Future with William Gibson’s ‘The Peripheral’

When Flynne Fisher witnesses a murder, a contract is taken on her life. The contract holders are from the future.


The Waters Aren’t Choppy Enough in ‘Killer Fish’

There's hardly enough killer fish action in Killer Fish to keep the film afloat.


Scott Walker and Sunn O))): Soused

Twin titans of the underground come together to craft essentially what you'd expect a collaboration of this nature to sound like, for better or worse.


‘Voyaging in Strange Seas’ Tells of the Deep, Wide Roots of Modern Science

The history of the Scientific Revolution, retold: Clear, detailed, and as overwhelming as drinking from a fire hose.


Jukebox the Ghost: Jukebox the Ghost

In overemphasizing the pure pop side of its style, Jukebox the Ghost oversimplifies and dumbs down its songwriting smarts.


Jess Reimer: The Nightjar and the Garden

The Nightjar and the Garden is a highly literary effort, a testament to a woman's trying faith in a time and place where it is a commodity that is being continuously challenged.


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