Monday, December 15 2014
Rudolf Maté's Union Station tells a noir story from a time when passenger rail travel was central to American life.
Twenty years on, the Old 97’s see their indie debut re-released in deluxe packaging by Omnivore. It’s worth the plunge.
Sound Man gives you a look through 50 years behind the studio glass with the premier engineer/producer of the classic rock era, without any obsession over fame or status.
If you're looking for a pretty sick and twisted metal record, here you go.
Space-rock and dub reggae sound great together, man. Who knew?? 10th Anniversary reissue for the Pink Floyd reinterpretation.
Legendary music artist Annette Peacock fuses blues, rock, jazz and poetry on her once rare 1969 debut, finally reissued by Ironic Records.
Friday, December 12 2014
While it shows Chris Rock is still a bit shaky when it comes to his cinematic skill set, Top Five is a triumph. It is easily his best movie, as well as one of the best comedies of 2014.
As in The Master, the ocean haunts the protagonist in this film adaptation of Thomas Pynchon’s novel, but it’s a haunting of a different kind.
Just like Moses' task from God, the social and cultural context that surrounds Exodus: Gods and Kings shapes it in ways that these actors and filmmakers might not have wanted.
With 2014 Forest Hills Drive, J. Cole relies on on stimulating emotions by telling instead of evoking emotion by showing.
Philip Glass' collection of 20 etudes, written over a span of 19 years, is given a moving performance by the virtuosic pianist Maki Namekawa.
It's only in America that what doesn’t kill you makes you stronger.
A soporific lullaby of the heart and mind, Björklund’s Shaken puts to bed any misconception of how a Danish artist should sound.
Pretty Music for Pretty People is fun. Fortunately, that's not the only thing going for it.
Brazilian thrash veterans Ratos de Porão's first offering in eight years is certainly nothing worth dancing over.
In an ideal world, Automat is what industrial music would have grown into, something which acknowledges the roads its founding members paved without imitating them in the process.
Thursday, December 11 2014
Choosing the busker over the diva role, Madeleine Peyroux’s eclectic 20-year career is highlighted on this collection of jazz vocal non-standards.
Best Of only offers a truncated, abridged version of three quality records that, ironically, misses out on much of the Swedish synthpop band's best music.
Has Jonathan Richman reached the point in his career where the only people who buy his new albums have been fans of his for 20 years?
If you bemoan the fact that the metal genre is getting more and more unlistenable due to groups trying to push beyond music into something else entirely, then this will fit the bill.