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Saturday, December 31 1994

Savath and Savalas: Folk Songs for Trains, Trees and Honey

I lived in Japan for a little over three years. My travels were always by train. I would sit in the cramped confines of one


Saga: Face á Face

First things first: Face á Face isn’t a new offering from eighties rock band Saga. If you’re a fan of that Saga and


Splitsville, Repeater; The Minders, Hooray For Tuesday

 The Minders Hooray For Tuesday(Elephant 6/spinART) by Sarah ZupkoPopMatters Editor & Publisher Two of the year’s more important pop releases come from


    Snowboy: Afro Cuban Jazz

The Sunday Sessions at the Hi-Hat in North London have a special place in English club culture. Every week some of the best dancers on


Billy Swan: Like Elvis Used to Do

According to the liner notes, Swan has a songwriting (and producing) career that spans almost 30 years, including the country smash hits “I Can Help,” “Lover


    Janek Schaefer: Above Buildings

In 1998, London-based Janek Schaefer broke onto the electronic music scene after he was paired with Pan American on Fat Cat’s Splinter Series of Split 12


Sorma: Mirage of the East

“Without a coordinator they took portable DAT recorders and went to the mountains of India, the prairie of Mongoli and villages in Bali. They made


Elliott Smith: Figure 8

Mr. Smith was going to have a very tough time even matching the overall quality of his last release, XO, so I approached the listening


Sense Field

Nobody plays emo anymore. The Promise Ring have given it up for pop songs. The Get Up Kids are too obsessed with Weezer and now


    Skindive: self-titled

This is one of those albums that you have to give props to just for trying some new things, while admitting that it fails to


Stereo Total, Stereo Total

It’s getting ridiculous how much good music is emanating from the loungecore movement. What once had become a vapid and uninteresting genre has been


Supersuckers, The Evil Powers of Rock ‘N’ Roll

In 1997, the Supersuckers shocked the world by abandoning their infamous high-octane metal/punk mix in favor of honest, stripped-down country with Must’ve Been High.


Submission Hold: Waiting for Another Monkey to Throw the First Brick

Underground music has the unfortunate displeasure of existing in the post world. We now have post-punk, post-hardcore, we even have post-emo even though that “genre”


    Swell Maps: Sweep the Desert

Swell Maps released only two albums before disbanding in 1980, but the English group did not go unnoticed by a subsequent generation of musicians, particularly in


    Alan Stivell: Back to Breizh

On Wednesday nights I have a 35-mile drive home from my weekly banjo lesson in southern Rhode Island. My drive just happens to coincide with


Storm and Stress: Under Thunder and Flourescent Light

You’ve seen this scene in a hundred bad sitcoms. A bunch of youthful friends decide to form a band. At their first “practice,” they


    S Club 7: 7

Like modern day Brady Kids with less attitude, the fresh-faced, pan-European S Club 7 make the type of pop music that is enjoyable only accompanying a


    Subzone: Paranoid Landscape

Dark and spacey, Subzone’s Paranoid Landscape creates encompassing industrial sonic environments with what seems like little effort. Subzone’s elaborately layered and scrupulously produced


    Submarine: Skin Diving

The world of dance and hip-hop just got more diverse with the debut of the soulful trio Submarine. On Skin Diving, the group combines a


Terrance Simien: The Tribute Sessions

I saw Dizzy Gillespie play in one of the last concerts of his life; I saw R.E.M. in the MIT gym on their


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