Everything Was Fine Until It Wasn't: 'The Ends of the World'

Everything Was Fine Until It Wasn't: 'The Ends of the World'

By Jordan Penney

Connecting deep time with human time and the picturesque with the disastrous, The Ends of the World shows that there may be inescapable consequences for our history and habit of improvident behavior. 23 Aug 2017 // 9:30 AM

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//Recent Reviews

23 Aug 2017 // 2:30 AM

UNKLE: The Road, Part 1

UNKLE's James Lavelle alternates slow, contemplative material with faster, darker pieces to excellent, fulfilling effect.

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23 Aug 2017 // 2:20 AM

Sannhet: So Numb

Without changing their identity, Sannhet travels deep within their core to further progress their unclassifiable sound on So Numb.

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The Mynabirds: Be Here Now

The mix of force and sensitivity makes it a valuable statement in a difficult time.

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‘ORAKL’ Brilliantly Breathes New Life Into Georg Trakl’s Poetry

Daniel Pantano is creator as much as translator, mixing and sampling the works of Georg Trakl in a collaborative endeavor.

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‘The Poetry of Pop’ Takes a Scholarly Look at Lyrics Both Profound and Vapid

The Poetry of Pop is a testament to the power, craftsmanship, and worthwhile intent of even the most ostensibly thin tunes.

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‘Sine Mora EX’ Builds a Beautiful Bullet Hell

There is a lot to look at that threatens your life in this bullet hell game before even considering how wicked everything else around you looks.

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Machine Woman: When Lobster Comes Home

Machine Woman stakes her claim for best new techno artist on teeth-rattling, new EP.

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Tyshawn Sorey: Verisimilitude

The composer and drummer at the forefront of the New Jazz presents his trio—but the slow, deliberate, brilliant music is much more "jazz piano trio" music. It is a soundscape of astonishing detail.

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22 Aug 2017 // 7:20 AM

Gordi: Reservoir

Gordi's debut seamlessly blends epic electronic soundscape with intimacy in lyricism and folk sensibilities, even if it pulls a little too often from Justin Vernon’s toolkit.

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Shelby Lynne and Allison Moorer: Not Dark Yet

Musicians and sisters Shelby Lynne and Allison Moorer duet together for the first time on an album that strongly covers and links songs with ease and style.

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More Recent Reviews
//Mixed media
//Blogs

'Inside' and the Monstrosity of Collectivism

// Moving Pixels

"An ability to manipulate a collective is a hint at what a little boy's power as an individual might be.

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