Wednesday, January 28 2015
In the fictional film Princess and the documentary The Wolfpack, a child's resilience might thwart even the most determined of boogey men.
Wonder Woman is the ultimate feminine ideal, but even she deals with her share of insecurities.
There’s more of value in one Calvino essay about Roman pig sties than there is in a week’s worth of slop from the Huffington Post.
Pawel Pawlikowski's frosty drama, although perhaps too simple for its own good, elevates strong emotional connections from an entirely chilly exterior.
The Lone Bellow knows how to nail a crescendo. The problem with Then Came the Morning is that it makes it seem like the band is only good at that.
Funny and direct, as well as useful and nurturing, Sane New World is a must read for anyone who has been up at night worrying about the future or regretting the past.
As Björk’s live shows become increasingly sprawling in their design and execution, less attention seems to be paid on the arrangements and the dynamics of her songs – or rather, their potential to be reworked into something entirely new onstage.
Live at the Lexington 13.11.13 documents a return and pulverizes a myth. This album proves that the band is terribly alive. But it shows at the same time how mortal they are.
Tuesday, January 27 2015
After the tour de force of last issue's Pax Americana, this issue demonstrates conclusively that Grant Morrison is a master of all the genres in the comicbook superhero playbook.
Just as Thomas Edison represented the America of his time, so too does he represents the America of our time in his try-and-succeed, try-and-fail methodology.
Headlining the first of six sold-out shows at New York's Jazz Standard, Lisa Fischer stirred the soul in a spellbinding 60-minute set.
Oddly enough, a remake of the original game, Resident Evil HD Remaster, actually feels like the next big evolutionary leap for the series.
Patrick McGoohan's John Drake, superhero for the Cold War era, just might be the coolest hero of all time -- yes, even more than James Bond.
If 2013's Carrier was a meditation on loss, Indvid is a bold cry of life, with the duo returning to take inventory of themselves full of energy, poetry, and release.
Based on the detailed notes from the original Roman Inquisition investigation long buried in a Vatican archive, Wolf unravels a tale of religious madness and power trips.
On Fantastic Planet Noveller's Sara Lipstate spends the early parts of the record selling us on her potential, making us rethink how we hear and feel texture in music, how we understand musical structures.
A re-release of a Moby bonus disc shifts focus back to the one of the artist's neglected talents.
If you own a good chunk of Ball’s catalog, there is nothing essential here. If you don’t, it’s a fine introduction.
Jean Grae is deep in the no-fucks-to-give phase of her career, and it's kind of great.
Monday, January 26 2015
Both The Witch and Z for Zachariah point to the terrifying uselessness of religion in the face of the wilderness.